In the ever-evolving landscape of Hollywood’s pre-Met Gala festivities, a new tradition is rapidly solidifying its place, driven by the undeniable influence and impeccable taste of actor Colman Domingo. His exclusive, invite-only event, aptly named "Put That Sh*t On…Again," has transcended its initial iteration to become a highly anticipated fixture on the industry’s social calendar, drawing A-list talent, designers, and cultural tastemakers alike to celebrate fashion and self-expression on the eve of fashion’s biggest night.

The sophomore installment of the event, held on Saturday, May 2, 2026, at the luxurious Faena Hotel in New York City, underscored its growing significance. Just as the original "Put That Sht On" gathering the previous year generated significant buzz, the return of its successor, "Put That Sht On…Again," solidified its status as an essential pre-Met Gala affair. The carefully curated guest list, a testament to Domingo’s esteemed position within the entertainment and fashion spheres, included luminaries such as actress Nia Long, legendary producer Babyface, Emmy-nominated actress Natasha Lyonne, and the influential style architect Law Roach. Their presence signaled that this event is no longer just a party, but a recognized cultural moment that commands attention and marks a significant point in the lead-up to the Metropolitan Museum of Art’s Costume Institute Gala.
A Symphony of Style: Arrivals and Atmosphere

As the Saturday evening unfolded, a palpable sense of anticipation permeated the frigid New York air surrounding the Faena Hotel. Even before guests began to make their grand entrances, the energy outside was electric. The biting cold did little to deter the throngs of photographers and fans who eagerly vied for a glimpse of the arriving luminaries. The doormen, themselves impeccably attired in capes and hats, set a tone of sartorial excellence that hinted at the level of style to be witnessed inside. A low, expectant hum filled the space, a collective acknowledgment that something significant was about to unfold.
The guests who arrived were not merely attendees; they were participants in a living exhibition of personal style. Hollywood’s elite, celebrated designers, and visionary creators each made their way into the venue, their outfits speaking volumes. This visual dialogue felt particularly fitting given the party’s provocative and empowering name. The underlying ethos of the event, as conveyed by its host, is that true style is about confidence and commitment. Attendees understood this implicitly, and the collective presentation demonstrated a clear understanding that one does not show up "halfway" when invited to an event curated by Colman Domingo. The phrase "Put That Sh*t On" is not merely a catchy title; it’s a directive to embrace bold self-expression, to fully embody one’s chosen aesthetic, and to present oneself with unwavering conviction.

The Genesis and Evolution of a Met Gala Tradition
The "Put That Sh*t On" event first emerged in 2025, conceived by Colman Domingo as a more intimate and fashion-forward prelude to the Met Gala. In an industry often characterized by carefully orchestrated appearances, Domingo’s gathering offered a refreshing authenticity. It was designed to be a space where artists and creatives could convene before the main event, celebrating the very essence of what the Met Gala aims to honor: fashion as a form of art and personal expression. The initial success and widespread discussion generated by the first iteration laid the groundwork for its evolution.

The decision to bring the event back, and to rebrand it as "Put That Sh*t On…Again," signaled a deliberate intent to establish it as an ongoing tradition. This strategic renaming not only acknowledged its successful debut but also amplified its message, suggesting a continuous commitment to the spirit of the gathering. The choice of the Faena Hotel as the venue further elevated the event, providing a sophisticated and visually rich backdrop that complemented the high-fashion atmosphere. The hotel’s reputation for art and design aligned perfectly with Domingo’s vision of a celebration rooted in aesthetic appreciation.
A Testament to Domingo’s Influence

Colman Domingo’s emergence as a significant cultural force is a narrative in itself. His acclaimed performances across film, television, and theater have garnered widespread critical praise and numerous accolades, including an Academy Award nomination for his portrayal of civil rights activist Bayard Rustin in "Rustin." Beyond his acting prowess, Domingo has cultivated a reputation for his distinctive personal style, often making bold fashion choices that resonate with artistry and individuality. This personal brand of confidence and flair has undoubtedly translated into his ability to curate events that attract and inspire a like-minded community.
The success of "Put That Sh*t On…Again" is a testament to Domingo’s influence. He has managed to create an event that feels both exclusive and deeply inclusive, fostering an atmosphere where genuine connection and shared passion for fashion can flourish. Unlike many industry events that can feel transactional, Domingo’s party radiates a genuine sense of camaraderie and mutual respect, built around the shared appreciation for creative expression. The fact that guests arrive with such intention and sartorial commitment speaks volumes about the trust and admiration they hold for their host.

Data and Implications: The Growing Power of Pre-Gala Events
The phenomenon of pre-Met Gala parties has grown exponentially in recent years. While the Met Gala itself remains the pinnacle event, the surrounding parties have become crucial for networking, content creation, and establishing fashion narratives. Industry data suggests a significant increase in social media engagement and press coverage generated by these pre-events. For instance, the hashtag associated with Domingo’s party, #PutThatShitOnAgain, likely saw a substantial surge in impressions and user-generated content, further amplifying its reach and impact.

The strategic timing of "Put That Sh*t On…Again" – on the Saturday before the Met Gala – places it at a critical juncture. It allows attendees to showcase their chosen ensembles for the upcoming gala in a less formal, yet equally stylish, setting. This provides invaluable early visibility for designers and stylists, and offers fashion enthusiasts a preview of the trends and looks that will dominate the weekend. The implication is that such events are not merely social gatherings but are integral components of the broader fashion ecosystem, contributing to the narrative and anticipation surrounding major cultural moments.
Broader Impact and Future Outlook

Colman Domingo’s "Put That Sh*t On…Again" party represents more than just a successful social event. It signifies a shift in how the fashion and entertainment industries engage with pre-event celebrations. It demonstrates the power of a well-executed, authentic gathering to become a cultural touchstone. The event’s emphasis on personal style, inclusivity, and the sheer joy of dressing up aligns with a broader cultural movement that celebrates individuality and self-expression.
As the Met Gala weekend continues to expand its footprint, Domingo’s pre-party has firmly established itself as a new staple. Its combination of style, intentionality, and an open invitation for everyone to "put that sht on" has resonated deeply. The success of this event suggests that future iterations will only grow in stature and influence, solidifying Colman Domingo’s role not only as a celebrated artist but also as a pivotal figure in shaping the modern fashion calendar. The anticipation for next year’s "Put That Sht On" event is already building, with many eager to see how this tradition will continue to evolve and inspire. Until then, the spirit of the party encourages everyone to embrace their personal style with confidence and flair.

The images from the event showcase a diverse array of attendees, each bringing their unique interpretation of style. From Destin Conrad’s striking presence to Law Roach’s always impeccable ensembles, Natasha Lyonne’s distinctive flair, YaYa De Costa’s elegance, Kayra Theodore’s chic presentation, Heidi Klum’s unmistakable glamour, Marc Jacobs’ iconic fashion sense, Coco Rocha’s avant-garde appeal, Babyface’s smooth sophistication, Nia Long’s timeless grace, Lady Emma Thynn’s regal presence, Sai De Silva’s vibrant style, and various other guests, the photographic evidence paints a vivid picture of a night dedicated to celebrating the art of fashion. Each attendee, in their own way, embodied the spirit of the event, demonstrating that "putting that sh*t on" is a personal and powerful act.

